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The work is driven toward a more personal vision.
There were a few female artists at this time, but they are not in the show.
Provoke magazine cover O ver the last decade the San Francisco Museum of Modern Art has established itself as one of the best American museums to see Japanese photography.
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Shomei Tomatsu carefully document the immediate aftermath, the burned objects and scarred human flesh.
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In one portrait, her face is made up to make her look old — she still looks beautiful.
Many of the prints on the wall have a work print quality, which they often were, with the book or magazine displayed in the vitrine being the end goal.
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